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Rather than the atmosphere created when a dodgy couple under the corporate statute title Jim and British Shilling play keyboard covers at your local, here there was an air of professionalism. Maybe it was the Mean Fiddler, an irrefutably esteemed locale for unsigned sets to play, or maybe the figure of AnR milling aroundthe bar. The Fresh Sounds show window have go a regular matter at the Mean Fiddler, offering unsigned people the chance to turn out their worth on a nice stage.

First to make so were Bromley four Snish. With this beingness their greatest gig to date, it’s unsurprising that the set looks somewhat nervous, however frontman Josh exudes a assurance which have been a changeless focal point in earlier shows. Their blend of poundingly outstanding bass lines with an extremely talented guitar player in Saint Andrew Matthews gave them a promising edge. Compared with their confusingly diverse earlier shows, a much more than honed style was displayed, finally giving manner to where the band’s strengths lie.

The better named Honeycube should've felt quite at place on phase given their seven twelvemonth path record of gigging, yet singer and guitar player Joe endearingly declared his jitteriness from the outset. A faster paced and all unit of ammunition heavier set almost hinting at a Hardcore style ensued to a rapturous reception, despite occasional rickety short letters and mis-harmonisation between Honeycube’s vocal duo. Their extended time period together certainly shone through and alludes to something quite special.

The members of Chapter were bouncing around amongst the audience all evening, and looked only too pleased to finally springtime on stage. A acerb opener sets the band’s musical endowments in context, complemented by their not unreasonable confidence. George C. Scott (drums) looks rather affectionate of his bass bicycle which do a royal visual aspect during a solo, yet the fact stays that Chapter is an extremely tight quartet where all things rhythmical are concerned. Just as the mundanity started to weirdo into their rather generic style of Metal, the set launched into ‘Remember’, which bears a singular resemblance to the seasonally-apt ‘Simply Having A Fantastic Christmastide Time’ by Alice Paul McCartney. A particularly receptive
audience was impressed by tonight’s show window - and not irrationally either - there really is an intimation of endowment across South London.